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In addition, AmpliTube 4 delivers the ability for you to swap out individual speakers in a speaker cabinet, a software first!
Choose from 29 individual precisely modeled vintage and modern 12" guitar cabinet speakers.
New British models AmpliTube 4 welcomes 5 new classic amplifier models to the mix representing some of the best British tones from the 70s, 80s and 90s.
Each amplifier has been modeled from scratch to embody a different aspect of powerfully classic British amplifier design.
More preamp overdrive and crunch at controllable volumes.
This dual channel, dual reverb head was designed for versatility with channel 1 voiced from clean to low level lead gain when cranked, and channel 2 voiced with enough gain to provide fearsome lead tones at low gain to screaming solo tones at high gain.
It was originally produced for players who needed more stage volume and sported a full 200 watts powered by KT88 power tubes.
The Brit Silver faithfully recreates the original Silver Jubilee down to every minute detail for hyper-real authentic Marshall tone.
Brit Valve Pre Rounding out the new Brit series of amps is a preamp model based on the Marshall JMP-1 valve preamp.
It allows players to sculpt the tones they want, then save those tone presets for recall by MIDI control at any time.
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It has the staple Marshall controls like Volume, Gain, Bass, Middle, Treble and Presence.
It features a bass shift, 2 overdrive channels, and 2 clean channels.
Almost 90% of the pro players at the time had a JMP-1 in their rack of toys.
It delivers stunning realism and an amazing playing experience that can be tweaked with the onboard controls.
Players can choose from and blend 3 acoustic body styles click here 3 types of top material to sound like a full range of popular acoustic guitars.
Now guitarists with AmpliTube 4 will always have at their disposal great acoustic sounds.
Double Dynamic 57 AmpliTube 4 includes the Double Dynamic 57, a special mic setup based on a pair of Shure SM57 more info />It can even be found in 無料ポルトガルカジノ typical setup used in the most sought after recording studios.
It is made up of read more one but two dynamic mics, one pointing straight and the other angled at 45 degrees.
The phasing phenomenon generated by this setup produces pleasing high-frequency cuts, enhancing the boldness of the sound.
Effects Loop New in AmpliTube 4 is an additional slot in the signal chain right after the amplifier pre-amp section but before the power stage.
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Thanks to an innovative visualization feature and flexible routing options, you can now stick your favorite stompbox into the post-cabinet rack section or in the effects loop rack, or swap your favorite rack effects for a slot on the pedalboard.
UltraTuner Also stock in AmpliTube 4 is an upgraded tuner section with our patented UltraTuner technology — the most precise digital tuner available.
Vex®, Carvin®, Morley®, Wampler Pedals®, Dr.
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Below are all the gear models you can add to your rig through Custom Shop.
An iconic distortion pedal that has stood the test of time.
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First produced in 1978, this is one of the most versatile distortion boxes ever made.
From subtle crunch to complete mayhem, this pedal has been used by countless guitarists of all styles.
This hard-to-find vintage unit includes a built-in oscillator for infinite sustain.
Hold notes to create amazing synth-like sounds or boost solos for more cutting tone, combined with classic distortion tones.
A favorite of some of the heaviest bands of all time, the BOSS® MT-2 is perfect for extreme gain and sustain.
Nothing compares to this pedal for pure distortion mayhem.
From subtle to over-the-top, the SD-1 pushes amps harder without sacrificing clarity and tone.
It's basic controls make it easy to dial in the exact sound you want.
One of the most versatile distortion boxes ever.
From smooth, light crunch, to extreme shred sustain and over-the-top gain, this pedal has been a classic ever since its release in the early 80s.
This pedal is a model of a beloved 80's-era distortion pedal by a company known for making amps with amazing distortion.
This model packs a whole powerful amp into a single stomp box.
This effect is a model of a classic high end compressor.
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This model is a clean, highly effective 1 octave graphic equalizer, capable of fine tuning click dialing in that perfect tone.
This is a clean sounding 10-band graphic EQ.
This stomp is an advanced filter effect.
It uses the envelope of the incoming signal to control a synthesizer style filter.
It is capable of sounds ranging from very simple auto wah effects to extreme never before heard filtering effects.
This complex stomp effect uses an LFO to modulate the frequency of its filter.
With the included BPM sync this is a very useful effect for creating interesting, moving guitar parts with a minimum amount of trouble.
Make your guitar sound like a sitar or like a synth-drone to create sonic textures nobody will think has been done with a guitar A unique effect that can add synth-like drones and sustaining resonances to your parts.
Make your guitar sound like a sitar or like a synth-drone to create sonic textures nobody will think has been done with a guitar.
Set up the scale you want the resonances to sing on and control the notes with your controller to create arpeggios and steps while playing.
A powerful and deep beat synced filter effect.
This will make your guitars and bass parts to sound like a rhythmic synth, if you want it!
This effect is modeled after the classic wah pedal used by many of the top players from the 60's and 70's.
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This is a new exciting feature.
This is a faithful rendition of a very sought-after wah pedal.
Based on a multiple feedback opamp circuit, the pedal modeled here is a very expressive and unique wah pedal.
This is considered to be one of the best sounding wah-wahs of all time.
Jimi Hendrix used many fuzz box units like this vintage model which adds to the powerful sound palette that AmpliTube 3 can offer.
This effect is modeled after a classic germanium transistor fuzz stomp effect.
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This スロットマシンバンドフェイスブックアプリ germanium transistor fuzz effect was the main fuzz box used by Jimi Hendrix.
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The original Fuzz Face® is one of the most collectible fuzz boxes ever.
Hendrix began using this fuzz box while playing in New York City before founding the Experience.
A highly sought-after, rare fuzz box, it was one of the first commercially available floor effect units, making its first appearance in 1966.
Jimi Hendrix used many fuzz box units like this vintage model which adds to the powerful sound palette that AmpliTube 3 can offer.
One of the most flexible flangers ever made, the BF-2 delivers everything from classic tape flange to over-the-top sweeps, vibratos, chorus and more!
Perfect for adding classic metal-style flange to your rig.
It provides both analog Chorus and analog Vibrato effects, when in Chorus mode the modulation will be lush and slow, when in Vibrato effect the modulation will be faster and more noticeable.
While it has amazing warmth, it is also capable of very versatile visit web page and ring modulation type sounds.
Still, no flanger is more recognizable, making this perfect for hard-rock and metal tone.
This effect is one of the most popular phase pedal of all times.
Used by a wide range of first-class guitarists, this unit could add a little bit of shimmer to your solos or generate a smooth, watery effect while playing chords and muted strumming.
Try the Phaze Nine on bass, keyboards or vocals.
This effect is a model of a classic analog phase shifter, capable of a range of phaser effects from gentle to outlandish swirling effects.
You may wonder why it is called "small" when you hear it.
This created a swirling effect quite similar to the Leslie® speaker cabinet but with the addition of speed control.
This effect is a 3 voice digital harmonizer effect.
More than just a pitch shifter, this pedal will create 3 separate harmony voices with independent interval values based on a musical scale.
Simply select the scale to use, select the voice and the desired pitch and play.
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This stomp effect is modeled after a classic dual voice octave pedal.
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This effect shifts the pitch of the incoming signal.
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One of the most extreme effects of all time, the original Whammy is a costly vintage find these days.
From classic shred to the most aggressive modern metal, this is an essential part of any extreme guitar rig.
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Can be setup to create anything from the most amazing tremolos to the most complex rhythm effects that always stay in perfect sync with the beat.
This is an "auto volume" swell processor that can automatically create fantastic swell effects while playing without any manual intervention.
Use it subtly to add groove to your rhythm parts or use it with deeper settings to create dreaming pads or string-like sounds.
This virtual stomp effect emulates the Ampeg SCP-OD Overdrive pedal.
It recreates the original distortion circuit, adding upper octave harmonic content to the direct signal and creating as a result a unique overdrive effect.
This stomp effect is modeled after the Ampeg SPC-OCT Octaver pedal.
Moving the octave knob will double your direct signal one octave below the direct signal.
In this way you can make your melodic lines richer and fuller, expanding the frequency range.
When in Chorus mode the modulation will be lush and slow.
When in Vibrato effect the modulation will be faster and more noticeable.
The "auto" option will produce the Wah effect automatically, meaning that there is no need for the manual intervention on the pedal position.
This effect is modeled after a vintage compression stomp pedal and can deliver a strong sustain and powerful compression with lots of character.
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Perfect for those who want to create instead of copying, with a bit of experimentation, this pedal can deliver a huge range of unique tones.
A classic volume control.
A combination of a Fuzz-style distortion effect and a Wah pedal, this is two pedals in one.
A Classic analog Phase shift effect as heard on countless recordings since the 1970s.
The rate control knob alternately illuminates blue and red at the same rate as the phase shifting.
Now add that famous Fender® Amp Tremolo sound to any Fender® amp, or any other "Powered by AmpliTube" amp model using X-GEAR.
Based on the classic Fender® tube tremolo circuit, you can adjust the speed and intensity to perfection, and add this classic effect to any amplifier setting.
BPM sync function allows for automated effect syncing to your DAW tempo, or set your tempo manually to add that dramatic tremolo sparkle or darkness to your tracks.
Two distinct wah voices give this model a huge range of "wah-ptions.
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A very inspiring pedal that will also add dramatic effects to your bass lines.
First introduced in the early 1960s, this classic all-tube spring reverb unit is a must have accessory for all Surf players.
Blues and experimental players love it, too.
The Fender Reverb is capable of producing an incredibly lush or intense crashing Reverb effect due to its post-guitar, pre-amplifier signal path and unique tube driven output.
A classic tape echo simulation, as seen in the Fender® Cyber-Twin®.
The warmth and wobble of magnetic tape lent a wonderful ambience to the echo effects used on recordings of the last 50 years, and those sounds can be recreated easily with AmpliTube® Fender®.
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The Fender® Stomp Compressor has four detented potentiometer positions for varying degrees of gain boost and compression.
This creative delay effect unit can be used to create interesting and unusual delay effects thanks to the 8 totally independent taps.
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This effect is based on Musitronics Mu-Tron® III Automatic Wah from 1972.
It became famous through its use with keyboards.
Filters allowed for low-pass, bandpass, and high-pass filter response which could be triggered from low to high frequency or vice versa.
The T-Rex Møller is a quite 無料のオンライン独占スロット confirm overdrive pedal that creates a wide variety overdriven tones with flexible tonal control along with a separate transparent 0-20 db adjustable and switchable clean boost and a special option to mix overdriven and clean signals.
The Møller was developed in 2003 for a well known Danish guitarist named Knud Møller who amusing ジュラシックパークゲームレビュー think a tube screamer but with an added clean boost.
T-Rex made the custom pedal based on the Alberta and subsequently named the Møller pedal after the guitarist.
The T-Rex Mudhoney is designed for those looking for an in-your-face wall of sound jumping out of the speakers.
The boost button and the tone knob give you the ability to dial in any sound you like from ultra fuzz to smooth jazz sounds.
With the boost function bypassed, the Mudhoney delivers moderate gain and a rich, smooth sound that many jazz guitarists prefer.
The boost button engages a high gain circuit for a more aggressive sound.
With its astonishingly warm tone it is the perfect mix of controls that delivers everything the most demanding guitarists could ask for in a delay.
The Replica is used by guitar heroes from Pete Townsend to John Mayer to deliver their classic sounds.
It can also produce crazy and innovative tones never heard before.
With its detailed "Wave" and "Shape" controls, it is one of the most versatile tremolo stomp boxes available.
The Shape control sets the rise and fall time of the tremolo how fast or slow the volume increases and decreases.
This adds some very different variations to the tremolo effect: with a quick swell and a slow drop, the effect is percussive like a piano.
Conversely, with a more info swell and a sudden drop, the result is reminiscent of a tape played backwards.
The Power Grid is a high gain, solid state distortion pedal capable of a myriad of tones thanks to a three-band active EQ section.
It is perfect for all styles of rock.
The pedal is designed to provide powerful overdrive and distortion suitable for all kinds of rhythm and lead playing thanks to five stages of discrete Class A circuitry.
This raw horsepower is managed by a multi-element gain and volume control system that provides very fine control.
The tone is further refined with three bands of active EQ.
Each band allows for up to 12dB of boost or cut at selectable frequencies for maximum control.
The booster stomp box used by Slash.
It boosts your signal up to 20 dB.
It's perfect for solos, punchy rhythm parts or to drive effects harder for more dynamics and sensitivity.
The chorus stomp box used by Slash offering great control and flexibility.
Used in one of the most famous song in the history of Rock: Paradise City.
Adds fuzz to your signal and then duplicates think, デポジットボーナスなし authoritative two octaves down.
This is one of the most evil and vicious pedals!
The gate stomp box used by Slash.
It gates out noise slowly when notes are being held and quickly when they are stopped short.
Three filter cut-off potawatomiのスロットマシン一覧 are available: Hiss, Mid, or Full Band.
The digital delay stomp box used by Slash.
Based on one of the most famous modern digital delays.
Use this effect to add space and repetitions to your parts.
The wah pedal with integrated distortion used by Slash.
One of the most classic wahs combined with powerful high continue reading distortion.
Very useful on rock solos to add expression and bending.
One of the most versatile yet modern sounding wah pedals.
Works with Bass guitar too!
The EP Tape Echo is the gold standard of vintage tape-echo units.
Hendrix liked experimenting with it to produce wild psychedelic effects in the studio, and he used it heavily during the recording of Electric Ladyland.
A wah with a 4- 6- or 8-step analog-style sequencer in it, featuring LEDs that light up to show the steps.
The speed control governs overall sequencer continue reading, and the 4-6-8 switch governs the number of steps.
This pedal produces rhythmic-pattern wah sounds that are totally unique.
Seek Trem is a tremolo pedal combined with an adjustable 4- 6- or 8-step analog-style sequencer.
Volume, Tone, and Drive controls let you dial in the perfect sound for your song.
Take your overdriven tones to a new level with OCD.
As the name implies the Wampler Nirvana chorus pedal is geared towards eerie and ethereal sounds.
On top of the "standard" chorus controls Depth, Rate, Level this pedal has a two selectors which allow to switch the chorus to vibrato the Vib.
The Tone control fine tunes the color of the modulated part, a feature which is missed on the majority of pedals.
Based on the eponymous pedal from the Wampler brand the Pinnacle Deluxe captures the original "Brown Sound" of the early plexi-style amplifiers pushed to the limits, a sound that was the trademark of many rock guitarists of the late '70s and early '80s, Eddie Van Halen to name just one.
It features a dual gain stage mode: it can act as a mild overdrive to push the following amp into distortion, or via the "Boost" switch it can generate a thick amount of distortion on its own.
The "Tone" knob covers the overall brightness of the distortion, while the "Contour" knob takes care of the critical midrange, allowing to scoop mids out necessary エデンパークワールドカップゲーム thanks push them forward according tho the rhythm or lead duties it's called to serve.
Based on the Dunlop® Cry Baby® GCB95.
Based on an MXR® Flanger Doubler, this model offers two effects in one.
Six-band graphic EQ based on a unit by MXR®, this was used to shape and boost the sound before the amp.
Based on a rackmount Dunlop® Cry Baby® wah, modeled in the exact configurations Brian uses to shape his tone.
The Essential Cab Room Hyper-realistic cab room AmpliTube has always been about realism, and now that extreme commitment to accuracy is a part of its completely redesigned cabinet section.
The new スロットマシンバンドフェイスブックアプリ Room feature is the most advanced cabinet section ever made, giving you a new level of customization and flexibility never before seen in software or reality.
Never before has such a level of control and customization been available for fine-tuning tones from the speaker section.
Plus you can use any available cabinet with any amplifier — impedance matching in AmpliTube 4 is automatic so you never have to worry about blowing up your power amp!
Individual Speaker Selection Want to hear what a Vintage 30 sounds like next to a Greenback?
No need to get the drill and soldering iron out, AmpliTube 4 lets you swap out individual speakers with the click of a button!
AmpliTube 4 comes with 29 go here modeled speaker emulations of some of the most popular speakers in cabinets today, with more available in the AmpliTube Custom shop.
Now you can experiment with different speaker combinations to sculpt that perfect cabinet sound, all in the convenience of your personal recording space.
But what makes the new cab room even more realistic is the fact that it not only picks up the tonal character of the individual speakers, but it replicates the harmonic and physical interaction that occurs naturally between the speakers giving you the most realistic sounding environment available.
Mic Selection and Placement Imagine having access to 18 of the most coveted recording microphones of all time.
AmpliTube 4 comes with 3 highly coveted recording microphones and there are an additional 15 mics available in the AmpliTube Custom Shop.
AmpliTube 4 gives you the choices and ability to go hyper-real with your mic placement.
And AmpliTube 4 not only picks up on the tonal characteristics of the individual speakers, but it actually picks up the physical and harmonic interaction between the individual speakers, surrounding cabinet and space between the speakers and mics.
Recording Room Selection Want to record in the garage?
How about in a hardwood studio room with a rug?
A cabinet isolation room?
With AmpliTube 4, now you can.
The Recording Room selection tab lets you choose from 6 different ambient recording spaces.
Choose from a big live room, venue stage, two studio rooms, an isolation booth or a garage.
You can also select which pair of room mics you want use and then dial in the amount of stereo room ambience to your liking.
The Recording Room selection adds a completely new level of hyper-realism to your guitar tone.
Mixing it all together AmpliTube 4 now has a dedicated mixing environment for the speaker cab room.
Never before has it been so easy to get hyper-real!
This means several things… First, you can just hit record and start wailing as the tone inspires you.
Need to add a layer?
And with the new DAW section, you can do some other pretty nifty tricks.
Audio waveforms accurately represent your recordings for precise editing.
Loop As a learning tool, you can import any audio tracks into the DAW section, define loop points and use the built-in Speed control to slow down difficult passages without affecting pitch, and use the Pitch control to change keys without affecting speed.
This feature is perfect for working out difficult solos or practicing different leads or melodies over a series of chord changes in a backing track.
Want to hear a passage at a different tempo or pitch?
Export AmpliTube 4 lets you export your masterpieces however you see fit… as individual tracks or as one master file for mastering — the choice is yours.
And you can export in a variety of file formats to suit your needs.
The 4-Track Super Looper may look simple, but in hyper-reality just like everything in AmpliTube 4 there is some pretty powerful stuff working under the hood.
Recording time is limited only by the amount of disk space you have on your computer.
Here you can activate a click track for the looper and set your tempo.
The Super Looper lets you do amazing, hyper-realistic things inside the world of AmpliTube 4.
Today, IK Multimedia continues to lead the pack when it comes to model accuracy of all the elements in the complete signal chain with innovative solutions and ultra-accuracy that no other brand can match.
We invented the processes and technologies that produce the most accurate models of gear in the industry, and have been doing it longer than any other company.
The most trusted brand by world-class amps and effects manufacturers Who do the top manufacturers in the industry trust to make ultra-accurate models of their gear?
The widest range of tone available - period With nearly 300 individual gear models available, AmpliTube offers more tonal variety than anything else on the market.
We have modeled almost every amp and effect circuit ever produced since the birth of electric guitar and effects pedals.
No matter what type of tone you are aiming for, only AmpliTube has the right gear for it.
All other product names and images, trademarks and artists names are the property of their respective owners, which are in no way associated or affiliated with IK Multimedia.
Use of these names does not imply any cooperation or endorsement.
AMPEG® is a registered trademark of LOUD Technologies, Inc.
© TM Authentic Hendrix, LLC.
Mac and the Mac logo are trademarks of Apple Computer, Inc.
The Audio Units logo is a trademark of Apple Computer, Inc.
VST is a trademark of Steinberg Media Technologies GmbH.
ACOUSTIC® is a registered trademark of Guitar Center, Inc.
送料無料ビクトリアシークレットコード is a registered trademark of AKG Acoustics GmbH.
AMPEG® is a trademark of LOUD Technologies, Inc.
ARBITER® FUZZ FACE® is a registered trademark of Arbiter Group Plc.
BOSS® is a trademark of Roland Corporation.
ELECTRO-HARMONIX® is a registered trademark of New Sensor Corporation.
ELECTRO-VOICE® is a trademark of Electro-Voice, Inc.
FENDER®, BASSMAN®, DELUXE REVERB®, SUPER スロットマシンバンドフェイスブックアプリ are registered trademarks of Fender Musical Instruments Corporation.
FUZZRITE® is a registered trademark of Andy Moseley.
GALLIEN-KRUEGER® is a registered trademark of Gallien-Krueger Corporation.
GROOVE TUBES® VELO-8 is a registered trademark of ROKR Ventures, Inc.
IBANEZ® is a registered trademark of Hoshino Gakki Co.
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MAESTRO® FUZZTONE is a registered trademark of Gibson Electronics.
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ORANGE® is a registered trademark property of Orange Music Electronic Company Ltd.
PEAVEY® is a registered trademark of Peavey Electronics Corporation.
RANDALL® is a registered trademark of Randall Amplifiers a division of U.
ROLAND® is a registered trademark of Roland Corporation.
ROYER® is a registered trademark of Bulldog Audio, Inc.
DBA Royer Labs Corporation.
SEARS® is a registered trademark of Sears Brand, LLC.
SENNHEISER® is a trademark of Sennheiser Electronic Corp.
SHURE® is a registered trademark of Shure Incorporated.
SILVERTONE® is a registered trademark of Samick Music Corporation.
SUPRO® is a trademark of Zinky Electronics.
THD® BIVALVE is a trademark of THD Electronics Ltd.
TRACE ELLIOT is a registered trademark of Peavey Electronics Corporation.
TUBE SCREAMER® is a registered trademark of Hoshino Gakki Co.
VHT® is a trademark of VHT Amplification, Inc.
VOX® and VOX® WAH V846 are registered trademarks of VOX Amplification Ltd.
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